Piece inspired by the work "The Mona Lisa" by Leonardo da Vinci.

The Mona Lisa is a painting by Leonardo da Vinci, the most famous portrait in history and perhaps the most famous painting in Western painting. It is a half-length portrait in which a woman appears who looks directly at the viewer with an expression that has often been described as enigmatic. It was painted between 1503 and 1506; is an oil on poplar board of 77 × 53 cm retouched several times by the author. The technique used was the sfumato, a very characteristic procedure of Leonardo.

29x29 cm mobile, made of aluminum and iron.

You can hang it or put it on the base as a standing mobile.

Piece inspired by the work "The Announcement" by Leonardo da Vinci.

The work was unknown until 1867, when it reached the Uffizi from the sacristy of the church of San Bartolomeo, attached to the suppressed monastery of the Olivetans. It was then attributed to Ghirlandaio, who was, like Leonardo, an apprentice in Verrocchio's workshop; there are also those who considered it to be the work of the latter. In 1869, some critics recognized it as Leonardo's youthful work..

Mobile 54 x 58 cm, made of aluminum, iron and methacrylate.

Piece inspired by the work "The Announcement" by Leonardo da Vinci.

The work was unknown until 1867, when it reached the Uffizi from the sacristy of the church of San Bartolomeo, attached to the suppressed monastery of the Olivetans. It was then attributed to Ghirlandaio, who was, like Leonardo, an apprentice in Verrocchio's workshop; there are also those who considered it to be the work of the latter. In 1869, some critics recognized it as Leonardo's youthful work..

29x29 cm mobile, made of aluminum and iron.

You can hang it or put it on the base as a standing mobile.

Piece inspired by the work "The Mona Lisa" by Leonardo da Vinci.

The Mona Lisa is a painting by Leonardo da Vinci, the most famous portrait in history and perhaps the most famous painting in Western painting. It is a half-length portrait in which a woman appears who looks directly at the viewer with an expression that has often been described as enigmatic. It was painted between 1503 and 1506; is an oil on poplar board of 77 × 53 cm retouched several times by the author. The technique used was the sfumato, a very characteristic procedure of Leonardo.

Mobile 54 x 58 cm, made of aluminum, iron and methacrylate.